Anika Jess

Former Creative Coordinator , Formerly at Netflix Animation
Formats Interested In
TV
Features
Shorts
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

New intellectual property / transmedia opportunities. With a discipline in Kids/Family Animation, this is my niche, but I've assessed the Blacklist every year for the past 3 years sourcing writers. A good story is a GOOD story, no matter the genre.

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers with Disabilities
Neurodivergent Writers
Writers Outside LA
Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Budget Range
All Budget Ranges
TV Formats
Limited Series
TV Homes
Network
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Sub-Genres
Animation (adult)
Animation (family-friendly)
Book Adaptation
Coming-of-Age
Family-Friendly
Graphic Novel Adaptation
High-Concept
Kids/Children
Latinx
LGBTQIA+
Specifically Not Interested In

N/A

More about Anika Jess

Anika Jess has spent the last 8+ years working across Film and TV development and production. With a formal education in screenwriting and film production, Jess received her B.A. in Film Production from LMU in 2018. Her primary focus has been Animation and four quadrant content, however she's gained experience across many notable film companies, with extensive knowledge across broadcast, cable and streaming entertainment. Companies include DreamWorks, Pixar, Disney, Village Roadshow Pictures, and Netflix. Most recently, Jess was a Jr. Exec across international animated series and film projects, including; WALLACE AND GROMIT, CHICKEN RUN: DAWN OF THE NUGGET, ULTRAMAN, THAT CHRISTMAS, THE TWISTS, PLANKTON, ONI: THUNDER GOD'S TALE, and BROWN AND FRIENDS.

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