Carroll Middelthon

President, Eastend Entertainment
Formats Interested In
Features
Particularly Interested In

Really looking for a smart, timely, regency romance that is self aware and tongue in cheek in its approach. Something in the vein of DICKINSON. Could be TV or Film. Otherwise open!

Feature Genres
Drama
Comedy
RomCom
Adventure
Fantasy
Budget Range
Up to $1MM
Up to $5MM
Sub-Genres
Book Adaptation
Buddy
Coming-of-Age
Dark Comedy
Female-Driven
Holiday
Period Piece
Road Trip
Romance
Socially Relevant
Young Adult (YA)
Specifically Not Interested In

Horror, male-driven action thrillers, male-driven general narratives

More about Carroll Middelthon

Carroll Middelthon is an independent producer and founder of Eastend Entertainment.

Eastend develops, packages, and arranges financing for feature films and television with a focus on filmmaker-driven, commercially minded stories for female-centered audiences.

Carroll has spanned seven years in the entertainment industry, working in indie film finance and international sales MadRiver Pictures before starting Eastend Entertainment. 

Recent credits include the coming-of-age drama RILEY, written and directed by Benjamin Howard which will premier during the 2023 festival circuit. Carroll also participated in the development of WORTH (Netflix), the 2020 film starring Michael Keaton and Stanley Tucci.

Carroll’s upcoming slate includes the biographical drama BROWNIE MARY, the female-driven thriller SUN DAMAGED, with Sonja O’Hara attached to direct, which is set up at THE EXCHANGE and slated to begin production in May 2023; the horror comedy SLAY ANYTHING by GJ Echternkamp with Brea Grant attached to direct, and THE REDO, with Daniella Eisman attached to direct and starring Emeraude Toubia, Nesta Cooper, and Shelley Hennig starring. 

TV projects in development include IN BAD TASTE, by Victoria Bata, starring Sophie Skelton and to be directed by Wendey Stanzler; SPINDLE COVE (based on the NYT bestselling series), starring Poppy Delevingne; and the half-hour drama, I DON’T THINK ABOUT HER ANYMORE, by GJ Echternkamp.

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