John Miranda

Producer / Manager , John Miranda Studio
Formats Interested In
TV
Features
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

Feature comedies, romantic comedies (think Judd Apatow, Lena Dunham, Duplass Brothers), and emotionally poignant dramas. I am also interested in 1/2 hour comedies.

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers Over 40
Writers with Disabilities
Feature Genres
Drama
Comedy
RomCom
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (single-cam)
Half-Hour Pilots (multi-cam)
One-Hour Pilots
TV Movies
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sub-Genres
Coming-of-Age
Dark Comedy
Episodic TV
Family-Friendly
Female-Driven
Ghosts
High-Concept
Holiday
Irreverent
LGBTQIA+
Romance
Socially Relevant
Sports
Supernatural
True Story
Workplace
Young Adult (YA)
Specifically Not Interested In

Horror, drug-deals-gone-wrong, straight action, or anything overtly political (key word: overtly).

More about John Miranda

John Miranda is an award-winning producer and AI Entertainment Strategist with a career spanning film, television, and creative innovation. He began his journey under the mentorship of Steven Spielberg and Norman Jewison, and quickly earned a reputation for championing new voices— developing and selling Ryan Murphy’s first feature screenplay, WHY CAN'T I BE AUDREY HEPBURN, to DreamWorks.

John later oversaw development and production for producer Ken Lipper, managing projects including Alan Rickman’s directorial debut THE WINTER GUEST and James Moll’s Oscar-winning documentary THE LAST DAYS. As VP of Production at James Mangold’s Treeline Films, Miranda helped shape 3:10 TO YUMA, KNIGHT & DAY, and the ABC series MEN IN TREES.

Today, Miranda continues to produce film and television through John Miranda Studio, which also serves as a creative consultancy helping writers, directors, and production companies navigate the entertainment industry’s rapidly evolving relationship with AI. His work bridges craft and technology, guiding creatives as they adapt their workflows, protect their voice, and harness new tools without losing the soul of storytelling.

He is currently developing Ben Bonnema's half-hour comedy CALL ME BY MY NAMETAG, Rebecca Brewer's (Roadmap) one-hour dramatic-thriller COBALT LAKE, and the romantic comedy feature, FOREVER, INC.

Available Sessions With This Exec

The Roadmap Promise

Roadmap Writers prides itself on the quality of executives we bring to our programs and we work hard to get you the best feedback possible.

Our vetted executives are chosen by the legitimacy of the companies they work for and their ability to evaluate pitches and pages.

Only the executives you sign up for will be provided with your materials.