Michael Dwyer

Head of Development, A Group of Ferrets, Precariat Productions, and Ravendesk Entertainment
Particularly Interested In

Creatively interesting projects that only you could write, particularly in the scifi, horror, and thriller space. 

Writers of Color
Women Writers
LGBTQIA+ Writers
Writers Over 40
Writers with Disabilities
Neurodivergent Writers
Authors (Fiction)
Authors (Non-Fiction)
Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Budget Range
Up to $20MM
TV Formats
Half-Hour Pilots (single-cam)
Half-Hour Pilots (multi-cam)
One-Hour Pilots
Miniseries
Limited Series
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Sub-Genres
Animation (family-friendly)
Biopic
Book Adaptation
Buddy
Coming-of-Age
Crime/True Crime
Dark Comedy
Documentary Adaptation
Dystopian
Faith-Based/Faith-Friendly
Family-Friendly
Female-Driven
Futuristic
Ghosts
Graphic Novel Adaptation
High-Concept
Historical
Holiday
Inspirational
Kids/Children
Latinx
LGBTQIA+
Musical
Mystery
Period Piece
Political
Post-Apocalyptic
Psychological
Reality/Unscripted TV
Revenge
Road Trip
Romance
Socially Relevant
Space
Spanish-Language
Spiritual
Sports
Supernatural
Suspense
True Story
Webseries
Western
Workplace
Young Adult (YA)
More about Michael Dwyer

Michael K. Dwyer is a hapa-haole Producer-and-Screenwriter with over a decade of film industry experience. A native of San Francisco, California, Michael graduated from USC’s School of Cinematic Arts on the Dean’s List as well as the literary honors program Thematic Option.

In 2012, Michael began working for former Columbia Pictures and Sony Chairman Mark Canton, who he assisted on seasons 2 through series finale of the hit show Power, as well as tentpole films like THE LAST WITCH HUNTER. Michael also worked briefly as an assistant at the film/music/tech crossover company MX Productions for Christina Aguilera and Matthew Rutler, who had a television deal at Lionsgate Television.

Michael returned to working for Mark Canton (300, DEN OF THIEVES) as a Creative Executive at his new independently financed venture Cinelou Films, where he worked on independent films like Robert DeNiro’s THE COMEDIAN, Jennifer Aniston’s THE YELLOW BIRDS, Ridley Scott’s PHOENIX FORGOTTEN, and Joe Dante/Mick Garris’s fan-favorite horror anthology NIGHTMARE CINEMA. During this time, he also managed the active slates of Mark Canton’s multiple film and television ventures.

In 2019, Michael left Cinelou as Director of Development, and found a home as the Head of Screenplay and Business Development at Atlanta’s Blackhall Entertainment Ventures, and then at Los Angeles’s Ravendesk Entertainment.

Michael is currently Head of Screenplay Development and Business Strategy at Ravendesk, where he has set up Comic and Table-top RPG projects in the trans-media spaces. During Michael’s tenure at Ravendesk, he has overseen the company’s growth as it purchased 15+ comic and tabletop-RPG titles, set up an independent first-look development and production deal, as well as secured agency representation for the Company’s slate of IP. Now Ravendesk has a television project fully independently financed for production, and several IPs in deep development across all mediums.

At the end of 2022 Michael formed an independent film production company A GROUP OF FERRETS with his former colleague at Cinelou Films, David Hopwood (POWER, FREAK BROTHERS, DEN OF THIEVES). Their company has a very small slate with director packaged material, targeting independent genre films in the 3-8 million dollar range, as well as action-hybrids in the 12-15 million dollar space.

To kick off 2023, Michael joined the brand new motion-capture animated company Precariat Productions (Writer/Director/Producer team behind the indie film CANVAS: https://www.youtube.com/watch?v=C1hfxtfq4LE) as the Head of Genre development, where he is spearheading the company's expansion into the fully animated television arena and indie genre mo-cap feature spaces.

Michael also screenwrites in the genre hybrid, historical, AAPI, and dark comedy spaces.

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