Rachel Polan

Interests
About / Testimonials

Formats Interested In

Particularly Interested In

Open to fresh voices.

TV Formats

Half-Hour Pilots (single-cam)

Half-Hour Pilots (multi-cam)

One-Hour Pilots

Miniseries

Limited Series

TV Movies

TV Homes

Network

Cable

Premium Cable

Streaming

TV Genres

Drama

Comedy

RomCom

Sci-Fi

Action

Adventure

Thriller

Horror

Sub-Genres

Animation (adult)

Animation (family-friendly)

Anthology

Biopic

Book Adaptation

Buddy

Coming-of-Age

Crime/True Crime

Dark Comedy

Documentary Adaptation

Episodic TV

Family-Friendly

Female-Driven

Ghosts

Graphic Novel Adaptation

High-Concept

Historical

Holiday

Inspirational

Kids/Children

LGBTQIA+

Mockumentary

Mystery

Period Piece

Political

Psychological

Reality/Unscripted TV

Revenge

Road Trip

Romance

Satire

Serialized TV

Socially Relevant

Spoof

Sports

Superhero

Supernatural

Suspense

True Story

War

Webseries

Western

Workplace

Young Adult (YA)

Specifically Not Interested In

nothing about mass shootings or dead girls.

More about Rachel Polan

Most recently partnered with Jessica Rhoades under her Pacesetter Productions banner, prior Polan served as vice president of scripted development for Chelsea Handler Productions. Before that, she was an executive at Lionsgate, where she was creatively involved in some of the Television Group’s biggest accomplishments, including securing NASHVILLE a fifth season at CMT; shepherding the first season of CASUAL, selling Epix one of its first scripted shows, GRAVES and developing DEAR WHITE PEOPLE for Netflix. Polan’s other credits include NURSE JACKIE, WEEDS, MANHATTAN and THE ROYALS.