Stephanie Mercado

Creative Executive / Producer, Street Market Media
Formats Interested In
TV
Features
Manuscripts
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

Hour-long high concept, philosophical dramas a la THE LEFTOVERS or LOST that is propulsive with an ensemble cast.

Writers with Disabilities
Writers Outside LA
Feature Genres
Drama
Comedy
Sci-Fi
Thriller
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (single-cam)
One-Hour Pilots
Limited Series
TV Homes
Network
Premium Cable
Streaming
TV Genres
Drama
Comedy
Sci-Fi
Adventure
Thriller
Book Genres
Coming-of-Age
Dystopian
Female-Driven
High-Concept
Literary Fiction
Post-Apocalyptic
Psychological
Short Stories
Socially Relevant
Sub-Genres
Book Adaptation
Coming-of-Age
Dark Comedy
Dystopian
Episodic TV
Female-Driven
Futuristic
High-Concept
Irreverent
Mockumentary
Post-Apocalyptic
Psychological
Satire
Socially Relevant
True Story
Workplace
Specifically Not Interested In

Superhero stories or contained toxic relationships.

More about Stephanie Mercado

Stephanie's most recently served as a Creative Executive at Adam McKay's Hyperobject Industries working across various formats in scripted tv, features, and documentary development. While there, she worked on a number of projects to varying capacities, including the upcoming TIM ROBINSON SHOW, CHAIR COMPANY, with HBO, as well as PAINTING WITH JOHN, BS HIGH, Q: INTO THE STORM, Hulu's GOD FORBID, and shepherded development in Apple's features for the adaptation of the book, Disorientation. Prior to Hyperobject, she worked at Starz, Participant Media, and Peter Berg's Film 45 in development. With a journalism background, Stephanie looks for strong, believable characters that overcome odds in a tilted world.

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