Austin Bowman - Month Mentorship

1:1 Mentorships
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$875.00
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Sold Out - Waitlist Available!
Formats Interested In
TV
Features
Shorts
Particularly Interested In

High-concept meets character-driven but with a plot that can play around well with traditional genre expectations. This can apply to a variety of formats from various types of television to films. In terms of examples, projects that have felt particularly interesting in recent years are: SEVERANCE, BARBARIAN, and BARBIE.

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers Over 40
Writers with Disabilities
Neurodivergent Writers
Writers Outside LA
Authors (Fiction)
Authors (Non-Fiction)
Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (single-cam)
Half-Hour Pilots (multi-cam)
One-Hour Pilots
Miniseries
Limited Series
TV Movies
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Sub-Genres
Animation (adult)
Animation (family-friendly)
Anthology
Biopic
Book Adaptation
Buddy
Coming-of-Age
Crime/True Crime
Dark Comedy
Documentary Adaptation
Dystopian
Episodic TV
Faith-Based/Faith-Friendly
Family-Friendly
Female-Driven
Futuristic
Ghosts
Graphic Novel Adaptation
High-Concept
Historical
Holiday
Inspirational
Irreverent
Latinx
LGBTQIA+
Musical
Mystery
Period Piece
Political
Post-Apocalyptic
Psychological
Revenge
Road Trip
Romance
Satire
Serialized TV
Socially Relevant
Space
Spiritual
Spoof
Sports
Superhero
Supernatural
Suspense
True Story
War
Webseries
Western
Workplace
Young Adult (YA)
More about Austin Bowman

After graduating from USC, Austin Bowman began his career at Working Title Films, contributing to projects like BABY DRIVER and DARKEST HOUR. He then transitioned to Dylan Clark Productions, assisting with the production of BIRD BOX and the TV series THE WILDS. Subsequently, Austin served as an Executive at AGBO under the Russo Brothers, where he worked on EXTRACTION and EVERYTHING EVERYWHERE ALL AT ONCE. Presently, Austin is an Executive at Safehouse Pictures, which boasts development deals with Amazon for films and Legendary for television. He oversees a diverse slate of film and television projects in this role.

How it Works

Private Month Mentorship

Each month mentorship kicks off with a preliminary 15-min. call to set expectations and lay out strategy for the month. Writer will have email access to the executive plus 4x one-hour consultations with the exec. Exec will read up to 4 scripts in one month (different drafts of the same script or 4 different scripts) and conduct 4x one-hour story notes calls. Calls can also include feedback on your pitch, branding, or career strategy.

If you pay with the deposit/payment plan, your second half will be due the 2nd week of the Mentorship. If you need a different type of payment plan, email dorian@roadmapwriters.com. 

**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a Month Mentorship on screenplays exceeding 120 pages.

What To Expect

After registering, you will receive an automatic Order Confirmation email. Then Roadmap's Director of Consultations, Terra Joy, will get your mentor looped in with you! If you do not hear from Terra or the exec within 3 days of registering, feel free to email terra@roadmapwriters.com for an update.

Before starting your Month Mentorship, please ensure you are familiar with our Code of Conduct

The Roadmap Promise

Roadmap Writers prides itself on the quality of executives we bring to our programs and we work hard to get you the best feedback possible.

Our vetted executives are chosen by the legitimacy of the companies they work for and their ability to evaluate pitches and pages.

Only the executives you sign up for will be provided with your materials.