Right now, I'm particularly interested in bold, character-driven stories that mix thriller, supernatural, and drama elements, especially if they involve complex family dynamics or untangle hidden secrets. I’m drawn to one-hour TV dramas that push the boundaries of conventional storytelling—think of the sharp tension and unraveling mysteries in shows like TRUE DETECTIVE or BIG LITTLE LIES, but with a cultural edge that highlights Latinx or immigrant perspectives.
I also love half-hour dramedies that dive into identity and community with humor and heart. Stories like SUPERSTORE or RAMY—shows that don’t shy away from real-life messiness and have a distinct cultural POV—are right up my alley. I'm especially interested in creating and uplifting stories that reflect the voice of bicultural, bilingual characters navigating intersecting worlds, with moments that feel both real and elevated.
David Ramirez is a writer who lives life with each foot planted firmly in different ponds. Born in Colombia and raised in the United States, he channels a rich blend of cultural influences into his storytelling, creating narratives that are as diverse as they are compelling. With ease, he shifts between genres, delivering both gripping dramas and sharp comedies infused with depth and excitement.
Most recently, Ramirez wrote a horror-comedy pilot script for Disney General Entertainment titled, LOS LEYENDAS. Prior to this, he wrote for the reboot of the iconic American animated television series THE RUGRATS, and also served as a staff writer on the hit Disney show GABBY DURAN AND THE UNSITTABLES. In 2020, Ramirez was selected to participate in the highly regarded Walt Disney Writers' Program. With previous experience as a writer's assistant on CBS' EVIL and THE GOOD FIGHT, as well as internships at renowned shows such as SATURDAY NIGHT LIVE and THE TONIGHT SHOW WITH JIMMY FALLON, Ramirez brings a wealth of experience to his craft. A graduate of NYU Tisch School of the Arts' BFA program in Film and Television, Ramirez has lived in Bogota, New York City, and Pembroke Pines, FL. With a dynamic voice that effortlessly blends humor and heart, David Ramirez strives to make a lasting impact on audiences and pave the way for a more inclusive future.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your call with the exec.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for a screenplay exceeding 120 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
MARKETING BONUS! If you receive a rating of Excellent or Virtually Flawless in at least four out of five categories (Logline and Formatting/Ease of Reading are excluded) on your consultation feedback report, we'll do one round of personalized marketing to execs (up to 5) for this screenplay for free!
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.