Work one-on-one with an executive at mutually agreed upon times around your schedule. To start, you'll have a 15-minute strategy call with your executive to get the lay of the land for the month. Then, you’ll have email access to your executive throughout, plus four one-hour story notes sessions. Work on a single screenplay or multiple scripts plus get additional notes on your pitch, brand strategy, and career advice - work your mentorship to its fullest potential!
- Start with concept/hook.
- Character driving plot, not the other way around. I'm BIG on structure, especially for TV pilots - if you break the rules, it better be worth it :)
- FYI - I tend to identify more with POV character-driven stories over ensembles, both in TV and film.
One-hour, female-driven, sci-fi/psychological thriller for cable and streaming is my particular interest. I am also interested in neurodiverse points of view, streaming-driven dramedies (a la TINY BEAUTIFUL THINGS) and big world-building sci-fi / futurist / dystopian feature, adventure movies, and family-friendly movies (think Pixar).
I just don't like true crime (i.e. serial killer stories), torture-horror or stories involving extreme violence against women by men. I am only interested in historical stories or period pieces if they are from a female perspective.
Hannah Rosner wrote and produced for the CW series LEGACIES, serving as Executive Story Editor during the show’s fourth and final season. Originally from Chicago, Hannah spent her film school years making movies by day and playing bass in a punk band by night. She began her career in LA working for Zak Penn where she worked her way up to become his development executive, shepherding such projects as READY PLAYER ONE. A strong draft writer armed with years of set experience, she majors in writing elevated, character-driven sci-fi thrillers, with a minor in female-forward, coming of age dramedies for film and TV. She is a Warner Brothers Writers Workshop fellow and the winner of the 2021 TrackingB pilot contest. Her feature comedy THE FESTIVAL is being produced by Black Label Media (La La Land) and her sci-fi horror feature TERRORS has Sean King O'Grady (We Need to Do Something / Hulu) attached to direct. Hannah is currently developing a scripted audio drama for Bad Robot. She is the co-host of the Untitled Female Driven Podcast.
Private Month Mentorship
Each month mentorship kicks off with a preliminary 15-min. call to set expectations and lay out strategy for the month. Writer will have email access to the executive plus 4x one-hour consultations with the exec. Exec will read up to 4 scripts in one month (different drafts of the same script or 4 different scripts) and conduct 4x one-hour story notes calls. Calls can also include feedback on your pitch, branding, or career strategy.
If you pay with the deposit/payment plan, your second half will be due the 2nd week of the Mentorship. If you need a different type of payment plan, email dorian@roadmapwriters.com.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a Month Mentorship on screenplays exceeding 120 pages.
What To Expect
After registering, you will receive an automatic Order Confirmation email. Then Roadmap's Director of Consultations, Terra Joy, will get your mentor looped in with you! If you do not hear from Terra or the exec within 3 days of registering, feel free to email terra@roadmapwriters.com for an update.
Before starting your Month Mentorship, please ensure you are familiar with our Code of Conduct.