Work one-on-one with an executive at mutually agreed upon times around your schedule. To start, you'll have a 15-minute strategy call with your executive to get the lay of the land for the month. Then, you’ll have email access to your executive throughout, plus four one-hour story notes sessions. Work on a single screenplay or multiple scripts plus get additional notes on your pitch, brand strategy, and career advice - work your mentorship to its fullest potential!
Know the full arc of your story and where you want your characters to go.
I love FUN commercial material, whether it is a romcom, comedy, or a fun action movie. I'm open to all genres, it just has to be commercial.
Holly Hubsher is a Forbes 30 under 30 honoree for Hollywood & Entertainment. As Senior Vice President of Development & Production, Holly Hubsher ran Golden Globe nominee Stephan James (IF BEALE STREET COULD TALK, HOMECOMING, SURFACE) and Shamier Anderson (INVASION, BRUISED, JOHN WICK 4)'s Bay Mills Studios and oversaw their growing slate by setting up ten scripted projects with their financier Boat Rocker (ORPHAN BLACK), five non-scripted projects with Matador Content (PRETTY BABY), and developed numerous features. She sold a show to Netflix in a competitive situation and a non-scripted show to Apple. She brought on and worked with creatives like Morgan Cooper (BEL-AIR), Oscar Nominated Virgil Williams (MUDBOUND, A JOURNAL FOR JORDAN), Conrad Vernon (SAUSAGE PARTY), Barry Sonnenfeld (MEN IN BLACK), Brad Furman (LINCOLN LAWYER), Adam Mervis (21 BRIDGES), JD DILLARD (DEVOTION), Craft & Fain (THE 100), Pete Davidson, Gina Rodriguez, Will Smith, Debbie Allen, Noah Centineo, Gab Union, Jordan Peele, and the Obamas.
Prior to BMS, Holly was at the film/tv financier Anton where she helped oversee the PVOD hit GREENLAND starring Gerard Butler, the Sundance darling THE NIGHT HOUSE, and the Netflix acquisition, CHOOSE OR DIE. She is an Executive Producer on the AGBO produced horror movie starring Natalia Dyer and Asa Butterfield, ALL FUN AND GAMES and brought in the project CANARY BLACK which was the number one film on Amazon Prime. Before Anton, Holly was at Universal Pictures where she was involved with development on projects like DEAR EVAN HANSEN and WICKED and worked on production and post-production for MAMMA MIA 2, NIGHT SCHOOL and FIFTY SHADES FREED. The New York native started her career at WME in the Motion Picture Literary department after graduating from USC.
Private Month Mentorship
Each month mentorship kicks off with a preliminary 15-min. call to set expectations and lay out strategy for the month. Writer will have email access to the executive plus 4x one-hour consultations with the exec. Exec will read up to 4 scripts in one month (different drafts of the same script or 4 different scripts) and conduct 4x one-hour story notes calls. Calls can also include feedback on your pitch, branding, or career strategy.
If you pay with the deposit/payment plan, your second half will be due the 2nd week of the Mentorship. If you need a different type of payment plan, email dorian@roadmapwriters.com.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a Month Mentorship on screenplays exceeding 120 pages.
What To Expect
After registering, you will receive an automatic Order Confirmation email. Then Roadmap's Director of Consultations, Terra Joy, will get your mentor looped in with you! If you do not hear from Terra or the exec within 3 days of registering, feel free to email terra@roadmapwriters.com for an update.
Before starting your Month Mentorship, please ensure you are familiar with our Code of Conduct.