Work one-on-one with an executive at mutually agreed upon times around your schedule. To start, you'll have a 15-minute strategy call with your executive to get the lay of the land for the month. Then, you’ll have email access to your executive throughout, plus four one-hour story notes sessions. Work on a single screenplay or multiple scripts plus get additional notes on your pitch, brand strategy, and career advice - work your mentorship to its fullest potential!
I'm interested in concept more than genre. An interesting concept that the writer is enthusiastic about will draw me in, regardless of genre. I've read a lot of things I ended up loving in genres I would have thought I had no interest in. I've also read a lot of things in genres I naturally gravitate to that did not impress me. After concept, it's all about vision and execution. If it's a pilot, I want a sense that the writer has a vision for where the show is going. Structure and dialogue are possibly even more important than concept. Concept is what will get you through the door. But then the craft of structure and dialogue is what will keep you in the room.
Comedy, Sci-Fi, crime skewing towards noir, politics, historical, and drama focusing on relationships.
Prison, wrestling/boxing, religious, horror