In addition to a tight, killer script, every TV project needs a strong series bible or deck to help convey sustainability and its role in the marketplace. And execs commonly ask for pitch decks for features as well! So submit your Series Bible, Pitch Deck (20 pages max each), or both, and the exec will conduct a 30-minute notes call (1-hour if submitting both documents) to help you clarify and sharpen the supplemental material to help your marketing efforts.
Questions? Email terra@roadmapwriters.com
I am interested in character driven material and hearing the characters internal and external story arc as well as the action and plot.
We would love to find a music driven feature (not a traditional musical though) more in the lines of THE RED SHOES or LA LA LAND.
We don't gravitate toward hard horror / gore or broad comedy.
Janet Jeffries is a Development and Production executive working in both features and television for Lawrence Bender Productions / Bender Brown TV Productions.
LBP is an independent feature film company in Los Angeles, working with several independent financiers and sales companies. Recent films include the animated short film COPS AND ROBBERS, live action short film TWO DISTANT STRANGERS, both streaming on Netflix the Netflix original feature THE HARDER THEY FALL directed by Jeymes Samuel. Lawrence Bender’s credits also include the films GRETA, HACKSAW RIDGE, GOOD WILL HUNTING, AN INCONVENIENT TRUTH, PULP FICTION and INGLORIOUS BASTERDS. We are currently developing and packaging films written by an academy award winning writer, and action movie with Jason Statham and a ROMANCING THE STONE type of movie written by the author of the book, CRAZY RICH ASIANS.
Bender/Brown is the company’s television arm. Credits include the Netflix limited series SEVEN SECONDS, Starz limited series FLESH AND BONE, and the current CW series ROSWELL, NEW MEXICO. We currently have projects in development with FX, EPIX, Peacock, Telemundo and Starz.
For the past nine years, Janet has also had the pleasure of being an adjunct professor for the MFA in Screenwriting program at National University. She also is an executive mentor working with Roadmap Writers.
While Roadmap connects writers with many fine execs, Janet is far and away my favorite. Her feedback is always the right mix of supportive yet revision-oriented; I always come away with incredibly valuable insights and new ways of seeing my writing. Her professional yet friendly personality is also top-notch.
~ Anonymous Screenwriter
Janet can always get right to the essence of what is needed to enhance a story. She has a gift with character and makes comments specific enough that the writer has a clear path for revisions. She has great energy and enthusiasm. Always a pleasure to work with Janet!
~ Cheryl Mott Smith, Screenwriter
I got so much out of my work with Janet. In short, I came into the class with a completed first draft, and I came out of it with so much more! She clearly understood the story I wanted to tell, and more importantly, she helped me understand how to tell it better. As a working parent, I deeply appreciated how Janet knew how to help me set appropriate goals for each week; she helped me make significant progress without burning me out. She is a very skillful mentor. If this workshop started tomorrow, I would literally register for it again right now.
~ Brendon Bates, Screenwriter
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.