Distinct projects that have commercial hooks and a clear audiences in mind. Big ideas in small packages are particularly attractive to me, including genre pieces that tell exciting, engaging stories with complex and relatable characters.
period dramas, giant scale original science fiction stories, and highly esoteric subjects are less interesting to me
Jay Glazer is a manager/producer at Neon Kite. He represents prominent actors, writers, and directors in film, television, and theater. Jay is originally from NYC and fell in love with quintessential New York filmmakers such as Scorsese, Lumet, and Aronofsky, fostering his film knowledge and cultivating his passion for driving creative careers. Jay studied business and film at USC and began his career at The Gersh Agency. From there, he cut his teeth in management with stints at Elevate Entertainment and ROAR before the founding of Neon Kite. In addition to representing creatives, Jay produces film - his debut feature, GET LUKE LOWE, premiered in 2020 and stars Emma McDonald. He is currently in post on thriller BODY LANGUAGE for MarVista Entertainment, starring Christina Milian and directed by Cory Miller. He has active projects with Mandalay Pictures, The Jim Henson Company, Storied Media Group, and Storyboard Entertainment.
Jay was very insightful, incredibly helpful, and very generous of his time. A "real person" who told you like it is in the industry. Seemed to have great instincts and a great handle on the market. I couldn't have been happier.
~ Anonymous Screenwriter
Jay was extremely thorough, I felt he genuinely wanted to help me become a better writer. His feedback was helpful.
~ Anonymous Screenwriter
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.