Work one-on-one with an executive at mutually agreed upon times around your schedule. To start, you'll have a 15-minute strategy call with your executive to get the lay of the land for the month. Then, you’ll have email access to your executive throughout, plus four one-hour story notes sessions. Work on a single screenplay or multiple scripts plus get additional notes on your pitch, brand strategy, and career advice - work your mentorship to its fullest potential!
Character, character, character!
A writer should always know their "north star" - the thing that is the heart of their story. I ask about it and often formulate my notes around it.
Lastly, plot is less important to me than emotion. Any writer who is ready for a consult should have a fairly good handle on plot. But if I don't see your characters as 3D in my mind, that's where a good amount of the workshopping will probably start.
I have a particular interest in "out-of-the-box" writers who are trying to make sure their projects are viable in the eyes of producers, studios, etc. While I'm open to mostly all genres, my personal specialty lies in sci-fi (both grounded and big budget) and period pieces.
I tend to steer clear of family-friendly/faith-based concepts.
Jess Carson is a Los Angeles-based Black writer/director who made her way into filmmaking in her hometown of Little Rock, AR by self-producing a number of short films within her local community through trial, error, and a sheer love of the craft.
In 2015, she decided to branch out to hone her skills in more saturated markets – first by way of Brooklyn, NY, where she was hired to write an Off-Broadway musical, ONLY HUMAN, and then settling in Los Angeles, CA in 2018.
Her work spans genres and her focus is on well-rounded, character-driven narratives that resonate with audiences of all demographics as well as those that put society under a lens via undertones of societal commentary.
Most recently, Jess was a writer on the CW's THE FLASH, from the end of season 6 until the end of the show's 9-season run. She is also polishing a wide range of projects and is actively developing a gritty, original TV show, DEAD RED. She is represented by managers Kegan Schell & Abigail Palmer at Navigation Media Group.
Private Month Mentorship
Each month mentorship kicks off with a preliminary 15-min. call to set expectations and lay out strategy for the month. Writer will have email access to the executive plus 4x one-hour consultations with the exec. Exec will read up to 4 scripts in one month (different drafts of the same script or 4 different scripts) and conduct 4x one-hour story notes calls. Calls can also include feedback on your pitch, branding, or career strategy.
If you pay with the deposit/payment plan, your second half will be due the 2nd week of the Mentorship. If you need a different type of payment plan, email dorian@roadmapwriters.com.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a Month Mentorship on screenplays exceeding 120 pages.
What To Expect
After registering, you will receive an automatic Order Confirmation email. Then Roadmap's Director of Consultations, Terra Joy, will get your mentor looped in with you! If you do not hear from Terra or the exec within 3 days of registering, feel free to email terra@roadmapwriters.com for an update.
Before starting your Month Mentorship, please ensure you are familiar with our Code of Conduct.