The exec of your choice will read either the first 25 pages of 4 scripts, 33 pages of 3 scripts, or the first 50 pages of 2 scripts. You'll also submit a one-pager of loglines (to include Title, Format, Genre, and Comps with each logline) for their review. Then you'll have a one-hour call with the exec to get their notes and feedback on your portfolio as a whole, as well as receive marketing and career advice. Be prepared to ask guiding questions!
Questions? Email terra@roadmapwriters.com
My biggest tip would be to be able to pitch the idea or hook within a couple/few sentences right away. After that, I think it is important to be able to define clear characters and their arcs, and the primary turning points of the story, such as Act I break, Act II break, main obstacles, and resolution.
I am interested in primarily features and feature adaptation from books. I am interested in many genres, but particularly those that make an audience feel something, give them a really surprising gut punch, or cover an interesting part of history. I enjoy comedy, drama, dramedy, romance, historical, true stories, and elevated genre pictures that are about character and theme over spectacle. My primary concern in non-comedy genres is a good solid emotional hook (I wouldn't say I am a YA person per se, but was drawn in by the emotional hook of "I volunteer as tribute" in HUNGER GAMES, for example).
I am not interested in movies that are more of programmers. Many romcoms and action movies tend to fall into this category. I am not opposed to those genres at all, but look for original ways into them.