Karin Cohen - Top Tier Portfolio General Meeting

Top Tier Programs
$160.00
Formats Interested In
TV
Features
Shorts
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

Feature films and TV shows with multiple episodes already fleshed out are always at the top of my list.

Feature Genres
Drama
RomCom
Action
Adventure
Thriller
Horror
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (multi-cam)
One-Hour Pilots
Miniseries
Limited Series
TV Movies
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Action
Fantasy
Thriller
Horror
Sub-Genres
Animation (adult)
Animation (family-friendly)
Anthology
Book Adaptation
Coming-of-Age
Crime/True Crime
Dark Comedy
Documentary Adaptation
Dystopian
Family-Friendly
Female-Driven
Futuristic
Ghosts
Graphic Novel Adaptation
Historical
Holiday
Inspirational
Latinx
LGBTQIA+
Musical
Mystery
Period Piece
Political
Post-Apocalyptic
Psychological
Revenge
Road Trip
Romance
Satire
Socially Relevant
Space
Spanish-Language
Spiritual
Sports
Superhero
Supernatural
Suspense
True Story
War
Western
Workplace
Young Adult (YA)
Specifically Not Interested In

Not interested in autobiographies.

More about Karin Cohen

Karin Cohen got her start in the film business working for legendary producer Edward R. Pressman (WALL STREET, REVERSAL OF FORTUNE, BADLANDS), where Ed brought her in on creative sessions for AMERICAN PSYCHO, THE CROW: SALVATION, and ENDURANCE. Following that, she was part of the 4-person creative team that helped grow Summit Entertainment (now owned by Lionsgate) from a prestigious international sales company into a mini-major studio.

Karin’s job at Summit was twofold. She supervised the daily operation of the creative department, which processed over 1,000 pitch and screenplay submissions per year, and she oversaw the development and acquisition of feature films. Projects Karin worked on include MR. & MRS. SMITH, MEMENTO, AMERICAN PIE, CRUEL INTENTIONS, THE BLAIR WITCH PROJECT, and WRONG TURN, Summit’s first franchise.

Eventually, Karin left the studio side of the business to oversee creative development for several critically acclaimed international filmmakers. She worked alongside them to develop their original feature film and TV concepts from ideation through post-production and served as a liaison between filmmakers, studios, and agencies, representing filmmakers’ creative interests in negotiations. The filmmakers Karin worked with won 173 awards and have another 170 nominations between them, including Academy, BAFTA, and Palme d'Or. Known for her ability to “unlock a script,” Karin has been called a “secret weapon” for writer/directors.

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