Submit your full feature or hour TV pilot script and receive an in-depth, one-hour private story notes call with an executive of your choice. You’ll receive specific suggestions on how to elevate your script's dialogue, structure, pacing, characterization, tone, and marketability.
MARKETING BONUS! If you receive a rating of Excellent or Virtually Flawless in at least four out of five categories (Logline and Formatting/Ease of Reading excluded) on your consultation feedback report, we'll do one round of personalized marketing to 5 execs for this screenplay for free!
Questions? Email terra@roadmapwriters.com!
It might sound cliché, but being authentic is key. When I ask, "Why this story, and why now?" and "Why are you the one to tell it?" I’m looking to understand the unique perspective and passion you bring to the table. The more you reveal about who you are and why this story matters to you, the easier it is for me—and any potential buyers—to connect with and appreciate the depth of your vision.
I’m really interested in projects that mix emotional depth with humor and a bit of darkness. I’m drawn to adult animation that can be both funny and thought-provoking, like BOJACK HORSEMAN or RICK AND MORTY. For family-friendly animation, I love stories that appeal to both kids and adults, much like AVATAR: THE LAST AIRBENDER or THE INCREDIBLES.
I’m also excited about coming-of-age stories that feel real and relatable, whether they’re grounded like EIGHTH GRADE or have a sci-fi twist like STRANGER THINGS. I’m a big fan of buddy comedies with a mix of humor and heart, similar to SUPERBAD. In horror, I’m particularly into psychological horror that digs into real fears, like HEREDITARY or GET OUT. And when it comes to kids’ and family TV, I’m all about character-driven stories that are both exciting and meaningful, like GRAVITY FALLS or THE MANDALORIAN. I’m eager to connect with writers who are passionate about these kinds of stories!
Mikiel Houser is a seasoned production and creative executive with over 15 years of experience in the entertainment industry. He has played a pivotal role in the development of iconic franchises such as TRANSFORMERS, MY LITTLE PONY, and AVATAR: THE LAST AIRBENDER. Mikiel served as Vice President of Development and Current Series at Nickelodeon, where he oversaw the production of key animated series. He was also a Principal Executive at Avatar Studios, where he led the buildout of the new Avatar Studios as well as the strategic development and expansion of the AVATAR: THE LAST AIRBENDER Universe. Previously, at Hasbro Studios, Mikiel led the development and strategy, bringing their flagship brands to life through animation.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your call with the exec.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for a screenplay exceeding 120 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
MARKETING BONUS! If you receive a rating of Excellent or Virtually Flawless in at least four out of five categories (Logline and Formatting/Ease of Reading are excluded) on your consultation feedback report, we'll do one round of personalized marketing to execs (up to 5) for this screenplay for free!
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.