Submit the first 60 pages of your book along with a 1-2 page book proposal (if applicable) and receive an in-depth, one-hour story notes call with the executive of your choice. You’ll receive specific suggestions on how to elevate your book's prose, pacing, characterization, tone, and marketability.
Questions? Email terra@roadmapwriters.com!
Let's make the pitch feel like a conversation. For feature pitches I want to know the first act. Take your time to lay out the characters, conflicts, hook etc. It is also helpful to tell me why is now the time to tell this story, what are the marketplace comps, and who do you envision packaging this with.
For TV, lay out the hook and premise, then I want to hear about the characters, their season and series arcs, and why an audience is going to invest spending time with them and this world of story.
Pitch the emotion. The jokes. The big moments. Let me feel the story. Grab me from the start and and never let go. Develop a clean line of action for your leading character. Know where you're going in the pitch when outlining the story.
I am drawn to high concept, commercial projects in both the film and TV space. I really like character driven stories across all genres and formats. I am especially interested in reading grounded action, sci-fi, and crime for both features and TV (HEAT; ARRIVAL; TOKYO VICE; MIND HUNTER; SHOGUN.)
I am also interested in true stories (EVEREST; SOCIETY OF THE SNOW; FORD V FERRARI) and stories that could be true (THE MARTIAN; HELL OR HIGH WATER.) I would love to read female driven projects (ATOMIC BLONDE; SICARIO; EX MACHINA) and projects that are diverse in an authentic way as well as adaptations from books, graphic novels, or articles.
I'm also a big fan of genre fare (PACIFIC RIM; DUNE; MAD MAX; JURASSIC PARK; FURY.) Sports stories, especially true ones or ones that could be true are also something I'm interested in reading.
If you have a project that can balance being both good and commercial and it has characters with depth and complexity, then I would like to read it.
Faith based projects, children's animation, musicals, or spoof comedies.
MJ Grogan is a Development Executive and Producer at ACE Content an Academy Award and Emmy winning production company whose credits include FREE SOLO and NatGeo's BECOMING COUSTEAU. He recently worked on the Hulu series MAGGIE, the Netflix adventure thriller BURIED, and Stacey Peralta's surf epic THE YIN & YANG OF GERRY LOPEZ.
With a background in feature films, television, and documentaries, MJ is currently developing and producing an off-road racing feature film with Netflix, a spy thriller with Working Title, a biopic of the Native American rock band Redbone, and an action comedy based on the bestselling novel The Blonde Identity.
Prior to joining ACE, MJ was a development executive at Legendary Entertainment and Disney where he worked on such films as DUNE, ENOLA HOLMES, GODZILLA V KONG, DETECTIVE PIKACHU, A CHRISTMAS STORY CHRISTMAS, THE JUNGLE BOOK, PETE'S DRAGON, TOGO and many others.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your call with the exec.
**Please note book consultations are limited to 60 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation exceeding 60 pages of your manuscript.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.