Returning half-hour or hour-long TV that highlights the writer's distinct voice or lived experience. Fresh precincts (i.e. no police or legal shows) in the thriller space, series or feature. But I am relatively open to reading within my genre preferences, to be honest!
Musicals, Westerns, Kids, straight Comedy, wholesome drama.
Phoebe has had a global life which has better allowed her career to adapt and change to differing international landscapes. Originally from Australia, she moved around a lot throughout her schooling – from Dubai to Prague – before settling back in Australia and graduating with a Communications degree at University of Technology Sydney. She started her career in community outreach for documentary before transitioning into advertising for the Sydney-based production studio Cobox. Phoebe’s passion has always been scripted drama, which led her to take on short films and a web series on the side to build her credits, as well as completing the Production Management (Scripted) Industry Certificate at AFTRS. She left Cobox as an Associate Producer at the end of 2019 to pursue scripted drama in the UK.
In 2020, Phoebe was selected for the ScreenSkills Production Lab, which searched for candidates with a wealth of non-scripted production experience and a strong commitment to move into HETV. In 2021, she began working for Pulse Films as an in-house Production Assistant, primarily on Sky’s GANGS OF LONDON S2, and script read for multiple companies alongside this. From here, she moved to the UK Scripted Originals development team at Paramount+ UK before landing her role as Assistant Script Editor on ITV’s UNTIL I KILL YOU for World Productions. She continued to assist with the development slate at the company and also assistant script edited ITV’s KAREN PIRIE S2 before stepping up to script edit S3 of VIGIL for the BBC.
Outside of production, she is a script editor for World and works collaboratively on the development team’s slate. With such a varied career across continents and disciplines, Phoebe is passionate about projects that have international appeal, as well as character-led shows that embrace nuance and complexity, yet remain relatable.
After registering, you will receive instructions on how to submit your material in your order confirmation email. Please be sure to select Career Coaching as your consultation type on your material submission form, so that you are able to submit all supplemental materials on the same form. Provide your script, writer bio, and one-pager of your loglines (to include Title, Format, Genre, and Comps with each logline). After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your call with the exec.
**Please note screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for a screenplay exceeding 120 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
MARKETING BONUS! If you receive a rating of Excellent or Virtually Flawless in at least four out of five categories (Logline and Formatting/Ease of Reading are excluded) on your consultation feedback report, we'll do one round of personalized marketing to execs (up to 5) for this screenplay for free!
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.