Marcus Cox

Producer, Through Films
Formats Interested In
TV
Features
Particularly Interested In

I love great stories that take me on a journey. I'm always looking for female driven projects and sci/fi, thrillers, action and gritty dramas.
Projects with mortal stakes. Smart. Gritty. Stories that really make me feel.

Feature Genres
Drama
Sci-Fi
Action
Adventure
Thriller
Budget Range
All Budget Ranges
TV Formats
One-Hour Pilots
Miniseries
Limited Series
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Sci-Fi
Action
Adventure
Thriller
Sub-Genres
Dystopian
Episodic TV
Faith-Based/Faith-Friendly
Female-Driven
High-Concept
LGBTQIA+
Period Piece
Psychological
Space
Suspense
Western
More about Marcus Cox

Marcus Peace Cox is an Emmy and Gotham Award winning producer. His films have played prestigious film festivals including; SXSW, Galway, LAFF, Tribeca, Busan, Rome, Deauville, Toronto and Sundance. He founded Through Films with wife, Karrie Cox, in an effort to produce meaningful motion pictures that captivate, influence and entertain audiences.

His tenure at Through Films includes the development, production, and distribution of projects such as: KILL OR BE KILLED, HOMELAND NATION, ADULT BEGINNERS, DON'T LEAVE HOME, KICKS and TANGERINE. Marcus produced the drama DARK WAS THE NIGHT, starring Marisa Tomei, Timothy Olyphant and Mireille Enos. Marcus produced the documentary, I STAND: GUARDIANS OF THE WATER a chronicle of the Lakota Sioux’s battle against the Dakota Access Pipeline, which received the National Television Academy's Heartland Emmy for Best Documentary. Most recently, he produced the crime/thriller OUT OF EXILE released by Paramount Pictures. Through Films has a diverse slate, with several film and television projects in development.

Marcus was born and raised in Austin, Texas and spent much of his youth outside with fossils and fire ants. Storytelling has always been a way for Marcus to connect with people and bring them together. He currently lives in Los Angeles with his wife and daughter.

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